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After she moves from the small-town boarding house where she has been working as a cook to the isolated ranch George shares with his eccentric brother Phil (Benedict Cumberbatch), the newlyweds’ tentative connection is threatened by Phil’s open resentment of his brother’s new bride, and his uniquely sinister ability and desire to get under Rose and George’s skin at every possible opportunity. 1, kicks off not with the establishment of a grand passion in the making, but with a pleasant-at-best marriage of convenience between a Montana widow, Rose (Kirsten Dunst) and George, the wealthy son of a ranching family (Dunst’s real-life partner Jesse Plemons).

The plot of the new movie, which premieres this week in limited release and begins streaming on Netflix on Dec. As we’ve seen on The Traitors and Rise and Fall, the rig adds psychological depth to even the most constructed of formats – be it gamified murder in the dark, dystopian power dynamics or simply a dog refusing to pee in the middle of the Shropshire countryside.The Power of the Dog and Bright Star are as different in sensibility and storyline as two consecutive films from the same director could be. So, where next for the rig? The Dog Academy has shown us how powerful a tool it is for documenting genuine transformations, territory we’re keen to explore further in non-canine form. And while it once took north of two hours for a secret indoor wee-er called Dexter to finally relieve himself on an outdoor pee post – the euphoria in the gallery when it finally happened was akin to an England penalty shootout. Watching on remotely, they were able to analyse every micro-detail of the dog/human dynamic. In this way, the rig acted as a kind of behavioural CCTV for our trainers. So, when our dogs weren’t barking down the house – we often ended up with a less flashy, but no less compelling story to tell, in the voyeuristic vein of The Secret Life Of 4/5/6 Year Olds. Just as the micro-expressions of a human on a first date tell the story of how they really feel about their date every lick, yawn and side eye, silently revealed how the dog felt about their owner. The dog’s “inner life” if you like, was written all over its face. We quickly realised that the simple act of filming a dog’s face on close-up for hours on end gave us a clear window into the inner workings of its brain. Luckily, the rig solved this problem for us. Alongside the animal welfare protocols we’d put in place to avoid stressing the dogs out, our canine cast had become the editorial equivalent of Russian roulette. As Victoria elaborated on our ill-fated zoom, if you remove a dog from their domestic setting and unleash them into an unfamiliar new place, it can get so overstimulated that it shuts down.

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Joining our expert dog trainers, we cast a receptionist and driver to interact with our families, warmly teasing out story and character through their interactions, as we watched on from our portacabin gallery.īut no matter how perfectly formed the filming bubble… if our dogs didn’t misbehave, we didn’t have a series. Every detail was pored over, from the non-slip rating of the rubber floors to the type of grass planted in the training pen. Invitational and colourful, but functional too.

NETFLIX DOG TRAINER PROFESSIONAL

Using the art team who’d transformed the First Dates Hotel into the pinnacle of romance, we set about transforming a posh house into a professional training centre.

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Having spent years making love happen as series producer of First Dates and executive producer of First Dates Hotel – the latter filmed on a huge rig of 110 cameras – I knew the only way to bring the same level of observational intimacy, depth and character was to harness the all-seeing-eye of the rig. This was a love story between dog and owner, one that had gone horribly wrong. If the elevator pitch for The Dog House was “First Dates for dogs”, The Dog Academy was “Couples Therapy for canines” but in the ever-crowded “bad dog” market, we knew we had to bring something different to the table.įor each desperate family who applied, we saw a kitchen-sink relationship drama bubbling under the surface. Eight weeks from filming our brand-new dog behavioural series The Dog Academy, a baseline of growling, snapping and anti-social toilet habits was essentially baked into the idea at this point.įollowing the success of the Bafta-nominated The Dog House, The Dog Academy is Five Mile Film’s latest foray into fixed rig for Channel 4 docs.

“You do realise the dogs might not exhibit any behaviour on the rig, right?”Īn off-the-cuff comment from dog trainer Victoria Stilwell during one of her regular consultancy zooms was met with a lengthy silence.

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